During an interview with me last year,
Djimon Hounsou prematurely
broke the news that he planned to pop the question to his girlfriend,
Kimora Lee Simmons. The casual comment might have landed the Benin-born
actor in a little hot water because the model-turned-fashion magnate
wasn’t yet divorced from hip-hop mogul Russell Simmons. That might
explain why Djimon remained button-lipped about the rumor currently
circulating in the tabloids that Kimora is now expecting their first
child.
Despite my polite prodding about the pregnancy, the two-time
Oscar-nominated actor (for Blood Diamond and In America) with the help
of his publicists directed the focus of this tete-a-tete back to his new
movie, Push. The riveting flick is a harrowing mindbender which
successfully blends elements of X-Men, The Matrix and Memento while
adding some of its own unique sci-fi flava.
Set in Hong Kong, it revolves around a group of psychic American
expatriates on the run from a U.S. government agency seeking to harness
their superpowers for its own nefarious purposes. The film co-stars
Dakota Fanning, Camilla Belle and Chris Evans.
FYI, besides making movies, Djimon is famous for parading his hot
chocolate bod in tightie-whities as the pitchman for Calvin Klein
underwear.
Djimon Hounsou - The Push Interview with Kam Williams
KW: Hey Djimon, thanks again for the time.
DH: My pleasure, man. How is your son doing?
KW: Very well. Thanks for asking. He’s a sophomore at Princeton.
DH: That’s cool. I remember the first time we talked he was still in
junior high school and he knew so much about my country. And not too
many people know about Benin.
KW: Yeah he had done a project about it in grammar school.
DH: Tell him I said, “Hi!” and I wish him well and a very successful
year, and that I hope all his wishes will come true.
KW: Well, what about you? I understand congratulations are in order for
you and Kimora.
DH: [Hesitates] Well, er…
KW: Are you free to talk about it?
DH: Not really.
KW: The rumor’s flying all over the place. You gotta give me something
for my readers.
DH: [Sings] There’s a lot of love in the air! [Laughs]
KW: The headline for my last interview with you was: “Djimon Announces
Plans to Pop the Question.” I had no idea that she wasn’t divorced yet.
DH: [Laughs]
KW: Let me ask you this. If Kimora were pregnant, do the two of you have
any names picked out for the baby?
DH: Shhhhh! Sorry, I have a group of nervous publicists behind me
shaking their heads saying that question’s a no-no. But we’ll tackle it
another time.
KW: Can you tell me when you’re going to pop the question?
DH: [Hesitates] Hmmm… sometime soon. I mean, it’s been done already, in
a different fashion.
KW: Congrats! Okay, let’s talk about Push. What interested you in making
this movie? It reminded me of a mix of X-Men, The Matrix, Memento and a
movie you were in, The Island.
DH: Yes! And also Constantine. The premise is obviously the one thing
that’s bringing all those references you mentioned together. And it was
probably that same thing that attracted me to the project, the signs of
an occult world that we don’t seem to grasp or comprehend at all.
KW: How would you describe your character, Henry Carver?
DH: He’s a government operative who basically hunts down anyone with the
psychic ability to see into or alter the future, and then he helps them
weaponize that trait for tomorrow’s war.
KW: You had a similar sort of role in The Island, right?
DH: Yeah, I did some bad things working for the sake of the government.
KW: What was it like working with Dakota Fanning, Camilla Belle and
Chris Evans?
DH: It’s always a pleasant journey when you’re working with an actor who
takes all the elements of the production to heart. Here, Chris Evans was
always watching out to make sure the story flowed and that all the dots
were connected. To come to a setting where a fellow actor is so
dedicated only enhances your overall understanding of the project and
inspires you to do your very best, too.
KW: Sounds like he’s a future director.
DH: Yeah, I really think this kid has all the ingredients to be a great
director. So, I hope it takes a shot at it.
KW: Coincidentally, one of my readers, Laz Lyles, wants to know whether
you have any plans to direct.
DH: I’d love to, but I’m so aware of everything involved in directing
that it discourages me from seriously considering it. There are so many
elements in making a movie which have nothing to do with directing. That
would be too much of a headache for me. I don’t think I have enough
patience for that. But I like the idea of producing stories that move
me.
KW: What would you say was the biggest obstacle you have had to overcome
in your career?
DH: There’ve been so many. [Laughs] Which one was the biggest? My coming
to America, moving here all by myself, just me, myself and I, with no
background in the language and having to learn it on the spot in order
to work in English.
KW: Attorney Bernadette Beekman was wondering how you improved your
English after making Amistad?
DH: The same way I was doing even before Amistad, which was by a
combination of watching documentaries on television and reading books. I
would keep watching and reading even when I couldn’t understand a word.
With documentaries, depending on what you’re watching, what is described
is pretty much what is happening in front of you. That can really help
you grasp the language on some level. And then you go out and mingle
with crowds to learn the everyday language used on the street, which is
different.
KW: Speaking of mastering English, I heard you’re doing Shakespeare
soon, appearing in a screen adaptation of The Tempest.
DH: We just wrapped that.
KW: How did it go?
DH: It was quite a production. That’s the least I can tell you.
[Chuckles] Caliban was an intriguing character to play, and it was very
challenging going through four hours of makeup daily. But I loved
working with a cast of such a high caliber: Helen Mirren, Alfred Molina,
Chris Cooper, and so many other great actors.
KW: It’s usually impossible to assemble such an impressive cast like
that simply because of conflicting schedules. How did director Julie
Taymor pull off that miracle?
DH: She was smart. She got everybody at the right time.
KW: The
Tasha Smith question: Are you ever afraid?
KW: Yeah, in fact, my wife’s book club is reading both Things Fall Apart
and The Heart of Darkness by Joseph Conrad this month. So, at the
meeting next week they’ll be comparing the two authors’
characterizations of Africa.
DH: Wow! Please let me know how the discussion goes. I really want to
call you and find out.
KW: Will do. Is there a question no one ever asks you that you wish
someone would?
DH: Yes, but how do I put this. It really has to do with the way how
people view Africa, when Africa is addressed. Because I think the
generic way of looking at Africa is like it’s just a bunch of people in
loincloths running around chasing gazelles and stuff. That’s the issue,
but I don’t exactly know how to phrase that as a question.
KW: No, that was good enough. Rudy Lewis asks: Who’s at the top of your
hero list?
DH: Nelson Mandela, although I have a few other people in different
domains.
KW: The music maven
Heather Covington question: What music are you
listening to nowadays?
DH: A combination, really. Tribal music… hip-hop… reggae… I’m sort of
cosmopolitan as far as music is concerned.
KW: Djimon, thanks for a great interview, as usual,
DH: It’s been a pleasure! Thank you very much. Give my best to your
family and Happy New Year!