Mo'Nique Imes was born on December 11, 1967 in Baltimore
which is where she started her showbiz career as a stand-up
comedienne on a dare a couple of decades ago. From there, she
gained visibility and immense popularity with performances on
"Showtime at the Apollo," HBO's "Def Comedy Jam," "Apollo Comedy
Hour" HBO's "Snaps," BET's "Comic View," The Montreal Comedy
Festival and Uptown Comedy Club.
Her big break arrived in 1999 when she landed a starring role on
the television series, "The Parkers." During the show's
five-year run, Mo'Nique earned numerous awards, including four
NCAAP Image Awards as the Outstanding Actress in a Comedy
Series. Her film credits include Welcome Home Roscoe Jenkins,
Two Can Play That Game, Hair Show, Three Strikes, Baby Boy,
Beerfest, Phat Girlz, Soul Plane, Irish Jam, Domino and
Shadowboxer.
As a voluptuous role model for Rubenesque females Mo-Nique wrote
the best-selling book "Skinny Women Are Evil," as well as an
equally-funny follow-up entitled "Skinny Cooks Can't Be
Trusted." She also created, produced and emceed "Mo'Nique's
F.A.T. Chance," America's first, full-figured, reality beauty
pageant. Struck by the skyrocketing number of women behind bars,
she brought her act to a prison to tape a comedy special called"I Coulda Been Your Cellmate" which aired on TV before later
being released on DVD. Then, she delved further into the issue
as the host of "Mo'Nique: Behind Bars" for the Oxygen television
network.
Here, she talks about "The Mo'Nique Show," her new late-night
talk show on BET, and about her Oscar-worthy performance in
Precious,
Lee
Daniels' eagerly-anticipated screen adaptation of
Sapphire's novel, "Push."
Kam Williams (KW): Hi Mo'Nique, thanks so much for the time.
Mo'Nique (M): Hey Kam! Thank you, baby!
KW: Congratulations on the new TV show.
M: Thank you!
KW: How would you describe the format? How are you dividing the
time among monologues, interviews, and musical and other
performances?
M: I can't give you those numbers, baby, because the show is so
unpredictable. We're just having a great time.
KW: What interested you in doing a talk show?
M: Well, I've always wanted to do a talk show. That was the
whole focus from the very beginning. First, I thought it'd be
like Oprah Winfrey, but the comedienne in me wouldn't let me do
that. So, when my husband [Sidney Hicks] and I spoke with Loretha Jones [BET's President of Programming], we said, "We
want to do late-night. We want to have a party."
KW: Speaking of partying, you were recently spotted in Manhattan
partying at Nick Ashford and Valerie Simpson's Sugar Bar with
Lee Daniels, Andre' Leon Talley and some other folks. Did you
have fun?
M: I had a blast, Kam. When you go to the Sugar Bar, the kid in
you truly comes out.
KW: When you mentioned Oprah, it reminded me that I told my
readers I'd be interviewing you. And one of them, Laz Lyles, was
wondering how much it means to you to have Oprah personally get
behind the film in such a strong way.
M: It was a pleasure. She's a powerhouse. She's Oprah Winfrey.
You know what that means. So, when she said, "I dig this," I was
very appreciative of it.
KW: Attorney Bernadette Beekman asks, how do you do it? You're
already a mother, actress, author and comedienne, and now adding
late night TV host. So, she wants to know how you keep sane and
healthy and how you manage to juggle everything.
M: There is a great group of people that surrounds me, starting
with my husband, who is my business partner and executive
producer of the talk show. With our assistants and our staff in
our home, we have a great team. So please believe me, I'd love
to say, "Oh honey, I'm a superwoman!" But I'm so far from being
a superwoman. It's all the people who surround us are what make
Mo'Nique work.
KW: Laz also asks, was it hard for you not to take you character
home with you at the end of the day when you were shooting
Precious?
M: It wasn't hard at all. We left it on the stage. When Lee said
"Cut!" that's what it was.
KW: Schoolteacher Erik Daniels says he really enjoyed I Coulda
Been Your Cellmate, your stand-up show shot inside a women's
prison. He's curious about whether you've stayed in touch with
any of the inmates you met.
M: Tell him, that to my surprise, when I was at the Sugar Bar
the other night, I bumped into a woman who was in that prison
when I was there. We hugged so tight, and she introduced me to
her son.
KW: Erik also wants to know if you have plans to do something
like that again.
M: I don't think I'll do another one, because I think it was
special in the moment for all of us.
KW: Marcia Evans says that she wants you to know that this fan
of yours gained more respect for you after your opening up to
Oprah about the sexual and emotional abuse that happened to you.
Just let her know that I'm so proud of her stepping up. She goes
on to say, "I want Monique to know that she has probably healed
some women by sharing her truth. Monique you are looking
beautiful!" I guess she didn't exactly have a question.
M: Well, tell that baby, thank you very much!
KW: Is there any question no one ever asks you, that you wish
someone would?
M: [Laughs] No!
KW: The
Tasha Smith question: Are you ever afraid?
M: Have you ever seen a light bulb when it's at its brightest
but getting ready to burn out?
KW: Yeah.
M: That's how I feel.
KW: I can understand, between the new TV show and the movie. I
was totally blown away by your performance when I saw Precious.
And I've never heard so much Oscar-buzz so far in advance of a
picture's release. Everybody's been talking about your Academy
Award -worthy performance since last January when the film
premiered at the Sundance Film Festival. How do you feel about
all the buzz?
M: You know what? I'm excited about any buzz. I was excited when
Lee Daniels first called me up. Just for the movie's message to
be told, that's where the real excitement comes in for me.
KW: Bookworm
Troy Johnson wants to know, what was the last book
you read?
The Legs Are the Last to Go: Aging, Acting, Marrying,
and Other Things I Learned the Hard Way Click to order via
Amazon
by Diahann
Carroll
Diahann Carroll is a legendary singer;
theatrical, television, and film actress; Tony and
Golden Globe Award winner; and Emmy, Oscar, and Grammy
nominee. A veteran of the entertainment industry whose
pioneering career has inspired many, Diahann made her
Broadway stage debut starring in Harold Arlen and Truman
Capote's House of Flowers. After seeing her in this
production, Richard Rodgers created as a starring
vehicle for Carroll the Broadway production No Strings,
for which she won the Tony Award. Her recent theatrical
appearances have also garnered acclaim, including her
role as the "ultimate" Norma Desmond in Sunset
Boulevard. Widely known as a pioneer, in 1968 she became
the first black actress in television history to star in
her own series, Julia, for NBC, which soared to the top
of the Nielsen ratings and received an Emmy nomination.
Other notable roles include the title role in Claudine,
for which she was nominated for an Academy Award for
Best Actress, and Dominique Deveraux in the wildly
popular television series Dynasty.
M: Oh my God, I love Troy for that question. I just completed
Diahann Carroll's "The Legs Are the Last to Go." Kam, after
reading that book in three days, I have such respect for that
woman. Oh my God! That book will blow you away, because she's so
brutally honest about who she is. It's incredible!
KW: The music maven
Heather Covington question: What music are
you listening to?
M: The last thing I listened to was Whitney Houston at about 6
this morning. I'm also listening to Maxwell a lot, but I'm
really excited right now for Whitney.
KW: What is your favorite dish to cook?
M: Kam, my favorite dish to cook is macaroni and cheese.
KW: The Laz Alonso question: How can your fans help you?
M: By realizing that they're not my fans, but my bosses. I want
them to know that I'm just as excited as they are when they ask
for an autograph or take a picture with me, because I'm still
that little girl who used to practice in the mirror.
KW: Speaking of mirrors, when you look in the mirror, what do
you see?
M: [Laughs] I see somebody, baby, that's full of life. I see
somebody that still has a lot more growing to do and is willing
to take it on. I see somebody that the universe said to her,
"We're going to give you this and see how you deal with it." I
see somebody who has an incredible husband, amazing kids and
great people around her. So, when I look in that mirror, I be
like, "For real?"
KW: The Flex Alexander question: How do you get through the
tough times?
M: Bless my brother Flex's heart. Fortunately, I don't have no
tough times.
KW: Thanks again, Mo'Nique and I'm expecting to be
congratulating you on your Oscar, the next time I speak to you.
M: Thank you so much, Kam. Bless your heart, sugar.
ISBN: 0679766758 Format: Paperback, 140pp Pub. Date: April 1997 Publisher: Random House, Incorporated
In an electrifying
novel, a black street girl, sixteen years old and pregnant,
again, with her father's child, speaks. In a voice that shakes
us by its language, its story, and its unflinching honesty,
Precious Jones records her journey up from Harlem's lowest
depths... For Precious, miraculously, hope appears and the world
begins to open up when a courageous black woman - a teacher hellbent to teach - bullies, cajoles, and inspires her to learn to
read, to define her own feelings and set them down in a diary: to discover the truth of
her life.
Day after day they go over the pages, translating the illiterate but developing
language of Precious' journals. The learning process itself, as vividly revealed as the
most brutal aspects of Precious' daily existence, is the heartbeat of a novel that will
disturb, galvanize, and stay in the mind.