Christopher George Latore Wallace (May 21, 1972 –
March 9, 1997), aka Biggie Smalls aka Notorious B.I.G. was a
Brooklyn-born gangsta’ rapper who passed away at just 24 years
of age, a casualty of the infamous East Coast-West Coast turf
war which first claimed the life of his primary rival
Tupac Shakur (Anthony Mackie). Tupac had dissed Biggie by
claiming in a song to have slept with his wife, fellow hip-hop
star
Faith Evans (Antonique Smith). Neither Biggie nor Tupac were
exactly altar boys, with both boasting about their street cred
and yay-long rap sheets.
But the
bloody feud was much bigger than these two icons. On one side,
you had L.A. producer Suge Knight (Sean Ringgold) and his stable
of artists at Death Row Records; on the other, there were the
upstarts from New York who Sean “Puffy” Combs (Derek Luke) had
recently signed to his new label, Bad Boy. And although
everybody knew that their crews were packing heat and hated each
other, the murders went unsolved, probably because of the “no
snitch” mindset adhered to by these thugs as a code of honor.
Unfortunately, Notorious sheds little light on the mystery of
who killed Biggie and Tupac. Nonetheless, director George
Tillman, Jr. has crafted a very absorbing, cradle to the grave
bio-pic which does vividly recount exactly how a latchkey kid
being raised by an immigrant single-mom (Angela Bassett) in the
slums of Bed-Stuy could have overcome the odds only to be slain
at the height of his fame in a seemingly senseless drive-by
shooting in Hollywood.
Much credit for the success of the flick must go to
Jamal
Woolard who makes an impressive screen debut in the title
role. The talented rapper-turned-actor achieves no mean feat in
fully humanizing a fatally-flawed figure who could’ve easily
come off as a one-dimensional monster instead of a charmer.
After all, except for the fact that he made it in the music
business, there isn’t a lot about Biggie worth emulating.
For instance, he is depicted here as having spent most of his
teen years as a cold-hearted drug dealer willing to sell crack
to pregnant women by rationalizing “I didn’t get in this game to
become no social worker.” The mammoth misogynist also mistreated
the females he supposedly cared about, impregnating not only his
baby mama, Keisha (Julia Pace Mitchell), but the
sexually-insatiable Lil’ Kim (Naturi
Naughton) and Faith, whom he married after only knowing for
nine days.
Ready to Die
Notorious B.I.G.
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This riveting cautionary tale, which flies by despite being
two-hours in length, revolves around the portly Romeo’s juggling
his homegirls and groupies while indulging in the sort of
conspicuous consumption celebrated in the typical rap video.
Sadly, given the title of his first CD, “Ready to Die", he must
have had had a decent hunch about the fate which awaited him
beyond the bling and booty calls.
Neither approving nor judging, Notorious simply presents the
gluttonous Biggie in all his materialist glory, allowing the
audience to decided what to make of his train wreck of a
personal life. Professionally, one can only wonder what
potential might have been squandered, since he was cut down in a
hail of bullets before the release of his second album.
Grounded by a host of superb performances, especially on the
part of
Jamal
Woolard,
Naturi Naughton, Antonique Smith, Anthony Mackie and Derek
Luke, this relentlessly-unapologetic immorality play about a
bona fide ghetto gangsta’ is apt to entertain even Joe Six-Pack
to the extent Middle America is inclined to buy into the Hip-Hop
Generation’s mantra, “Don’t hate the playa, hate the game.”