Derek Charles (Idris Elba) is on top of the world, having
recently been promoted to Executive Vice President at Gage
Bendix, a leading, Los Angeles investment house. Furthermore,
the coveted asset manager, who couldn’t be more in love with his
beautiful wife, Sharon (Beyoncé),
and adorable young son, Kyle (Nathan and Nicolas Myers), has
just purchased a sprawling, suburban McMansion for his
picture-perfect family.
However, Derek has no idea that their American Dream is about
to morph into a never-ending nightmare the fateful morning he
crosses paths with Lisa Sheridan (Ali Larter), an attractive
stranger who flirts with him on the elevator on his way to work.
They exit together on his floor where, to his surprise, he soon
discovers that she has already been assigned by her temp agency
to fill-in for his secretary, Patrick (Matthew Humphreys), who’s
out with the flu.
Derek knows that this arrangement won’t sit well with Sharon,
since he’s promised her he’d never hire another female assistant
because their love had blossomed out of an office romance. Yet,
against his better judgment, he not only lets Lisa stay for the
rest of the day but even allows her to remain with the firm
indefinitely after Patrick returns from sick leave.
Meanwhile, Lisa’s inappropriate behavior gradually escalates
from crying on Derek’s shoulder over martinis to cornering him
for a kiss under the mistletoe at the company Christmas Party to
following him into the men’s room to trying to seduce him in the
parking garage and more. Inexplicably, Derek proves to be either
too polite, too flattered or too dense (or maybe a combination
of all of the above) to fire Lisa on the spot. Instead, he
recklessly risks both his career and his marriage by failing to
mention to his wife or his boss (Bruce McGill) that he’s being
stalked by a delusional employee who craves his body.
Superficially, the plotline of Obsessed reads like a
thinly-veiled remake of Fatal Attraction, as it features so many
similarities to that classic thriller that the original’s
scriptwriter, James Dearden, deserves to share a credit for the
screenplay. Whether it’s the suicidal sexpot, the kidnapping of
Derek’s son, his fed-up wife’s being forced to take the law into
her own hands, or the femme fatale having nine lives in the
climactic finale, the story often looks like a line-by-line
rip-off.
Nonetheless, that being said, the three principal cast
members throw themselves into their respective roles with such
gusto that they manage to generate a palpable tension which
makes this B-version feel genuinely fresh and exciting. Idris
Elba rises to the challenge of playing his clueless character
convincingly, while Beyonce’ is just as good as the doubting
spouse with serious trust issues. But it is Ali Larter as home
wrecking Lisa who steals the movie by serving up a scary screen
monster so despicable you’ll be cheering with relief by the time
she finally gets her comeuppance.
A cautionary reminder that Hell still hath no fury like a
woman scorned, especially when she’s a crazy, two-faced psycho.