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Kam Takes Revenge
The 10 Worst Films of 2008
by Kam
Williams
Even more fun than fondly looking back on the best films of
the year, is the opportunity to compile a list of the worst of
the worst. There’s no common theme running through these
entries, except that they’re each 100% godawful.
As for individual performances, it feels strange not to have
a flick from either Cuba Gooding, Jr. or Robin Williams to slam,
with those perennial bottom-feeders replaced by a couple of
A-list newcomers in Mike Myers and Al Pacino.
However, kudos to Katt Williams for picking up where Stepin’
Fethcit left off in First Sunday, this year’s winner.
1. First Sunday
http://aalbc.com/reviews/first_sunday.htmWhen a movie resuscitates this many offensive
African-American stereotypes, you half expect somebody
to be passing out watermelons and barbecuing ribs right
in the lobby of the theater. I had problems with
virtually every aspect of this modern minstrel show,
starting with its plot’s revolving around a couple of
crooks (Ice Cube and Tracy Morgan) robbing a church.
Just as bad is Katt Williams’ character, a buffoon given
to blurting out inane non-sequiturs whose only apparent
purpose is to make the audience laugh out loud. He plays
a cowardly coon who feints when scared and who
repeatedly employs malapropisms, such as confusing
“affecting” with “infecting.”
In sum, if you enjoy laughing at the sight of a black
man in a dress, at offensive jokes about nappy hair
(“Your hair looks like an S.O.S. pad!’), and at black
folks pretending to be mildly retarded, you’re apt to
find this flick hilarious.
A cringe-inducing, cinematic tribute to the Golden
Age of Minstrelsy! |
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2. An American Carol
http://www.amazon.com/exec/obidos/ASIN/B001FACHBE/ref=nosim/aalbccom-20
This transparent spoof takes cheap potshots at
Michael Moore, ostensibly for the amusement of arch
conservatives. The plot is very loosely based on Charles
Dickens’ A Christmas Carol, except that here Scrooge
(aka Michael) hates the Fourth of July holiday instead
of Christmas. The simplistic premise has him not merely
being un-American but the unwitting dupe of a cell of
radical Islamists planning to blow up Madison Square
Garden.
Along the way, ACLU attorneys are depicted as zombies
who deserve to be shot on sight, student demonstrators
are demonized for exercising their First Amendment
rights, and Moore is repeatedly ridiculed for being a
traitor who doesn’t support the troops. Less a legit
satire than a scary soap box in service of a right-wing
agenda. A dead giveaway is the cast which boasts a bevy
of Republican apologists like Bill O’Reilly who takes
delight in slapping Mr. Moore right in the face here.
Challenging authority as unpatriotic? Bah, humbug! |
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3. What Up?
Tyrone (Kadeem Hardison) and Jerome (Godfrey
Danchimah, Jr.) are jive janitors with not much ambition
beyond getting “a Hummer and some honeys.”
These irritating nitwits think their ship has finally
come in the day they find a briefcase with $100,000.
Thinking themselves now rich enough to retire, they
immediately quit their jobs, but quickly blow the loot
on a flashy car and “bitches.”
Only after their new auto is carjacked and they’re
down to their last $2.14 do they learn that the money
belonged to the Mafia and that a vicious mobster named
Mr. Spaghetti (Sonny Bermudez) is hot on their trail.
What to do? What to do? The best ideas they can come up
with is to rob a black-owned bank and to try to sell
soiled panties for $500 by passing them off as stained
with Hale Berry’s booty juice? No, I am not making this
up.
An insult to the intelligence about a couple of
shiftless fools who resurrect every ugly stereotype
about blacks while spouting ebonics-laden dialogue
reminiscent of Amos & Andy. Makes Soul Plane look like
The Great Debaters. |
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4. Meet Dave
http://aalbc.com/reviews/meet_dave.htm
This Eddie Murphy flop borrowed its basic premise
from The Brother from Another Planet, but conveniently
ignored every one of that classic’s cerebral aspects.
The dumbing down is no surprise since it was directed by
Brian Robbins who also collaborated with Mr. Murphy on
the equally-brainless Norbit.
The film features mostly asinine slapstick, the sort
of infantile poop and fart fare designed to keep a four
year-old in stitches. Besides Brother from Another
Planet, Meet Dave shamelessly steals bits made famous by
other films, such as In and Out’s coming out scene (“I’m
Dave Ming!” instead of “I’m gay!”), and Chris Rock’s
unsuccessful hail of a taxi from Down to Earth (“What,
an alien can’t get a cab in this town?” instead of “I’m
a black man again!”)
All in all, this unoriginal, derivative disaster is
the worst sci-fi comedy since, well, since Eddie Murphy
made The Adventures of Pluto Nash. |
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5. Swing Vote
http://www.amazon.com/exec/obidos/ASIN/B001ILFUBO/ref=nosim/aalbccom-20
Kevin Costner stars in this dud as an unemployed slob
whose tie-breaking vote is about to decide the
presidential election. Even if you’re willing to swallow
that idiotic premise, this infuriating film ends on a
cliffhanger leaving, as if setting us up for a sequel.
What a cinematic slap in the face!
On second thought, maybe there was a winner here,
corporate America, judging by the omnipresence of
product placements for everything from Budweiser to MTV
to Old Spice to UPS to Monopoly to Pepsi to Chevrolet to
Newsweek to Motts to Ritz Crackers to Quaker Oats to
Verizon Fios. A movie which amounts to little more than
a series of sales pitches. Next time, would you mind
including an ending, if you’re going to ask us to sit
through two hours of commercials? |
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6. The Love Guru
http://www.amazon.com/exec/obidos/ASIN/B001CQRJNC/ref=nosim/aalbccom-20
Anyone familiar with Mike Myers’ work knows that he’s
a comedic genius quite capable of keeping you in
hysterics. That impressive track record makes this
offering all the more disappointing, for The Love Guru
barely registers a blip on the audience laff-o-meter
over the course of its patience-testing, 90-minute
duration.
In 25 words or less, the story revolves around an
orphan raised in an Indian ashram who moves to the U.S.
hoping to replace Deepak Chopra as America’s #1 self
help guru and thereby earn an invite to appear on Oprah.
The movie looks like someone threw a bunch of bull
substance at the screen to see what sticks. Nothing
does, trust me.
It’s might not be Myers’ best performance of his
career, but it’s certainly his worst. |
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7. Changeling
http://www.amazon.com/exec/obidos/ASIN/B001NFNFNU/ref=nosim/aalbccom-20
When a movie opens with an assurance that what you’re
about to watch is “A True Story” you certainly expect to
see a historical drama far more credible than this
patently-absurd saga strictly for the very gullible. The
point of departure is 1928, which is when we are
introduced to Christine Collins (Angelina Jolie), a
single-mom whose nine year-old son (Gattlin Griffith)
vanishes without a trace.
Several months later the LAPD seem to have solved the
mystery, as they announce that the boy’s been found
alive and well. However, Christine’s hopes are soon
dashed when she sees that the child is an impostor
(Devon Conti).
This is where the movie starts to make no sense,
since we’re led to believe that Christine took custody
of the perfect stranger anyhow.
Have you ever met a mother who couldn’t identify her own
kid? Me either.
Doesn’t pass the smell test. |
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8. Street Kings
http://www.amazon.com/exec/obidos/ASIN/B001BP4K22/ref=nosim/aalbccom-20
It’s never a good sign when an action thriller makes
you laugh out loud at dialogue intended to be taken
seriously. But this is exactly the reaction periodically
elicited by Street Kings, a grisly shoot ‘em up loosely
based on a crime yarn by James Ellroy.
The film is a disaster for several simple reasons: a
preposterous premise, less credible plot twists,
gratuitous violence, a plethora of ethnic slurs, an
absence of likable characters plus another wooden
performance from Keanu Reeves, an actor ill-suited for
roles calling for an emotional range. When you have
trouble reading the hero’s motivations at every turn,
the result is a humorous headscratcher like this
unmitigated mess. |
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9. Be Kind, Rewind
http://www.amazon.com/exec/obidos/ASIN/B0018LX9VC/ref=nosim/aalbccom-20
Who would ever think that the teaming of Jack Black
and Mos Def in a sitcom could be so disastrous? However,
they were utterly abandoned by a rudderless script
despite a promising premise about a couple of amateur
filmmakers who decide to remake a number of screen
classics. Sadly, nothing can save this overambitious
enterprise embarked upon by blithering idiots, full of
sound and fury but signifying nothing. |
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10. 88 Minutes
http://www.amazon.com/exec/obidos/ASIN/B001C5LLLY/ref=nosim/aalbccom-20
Patently preposterous at every turn, this
unintentionally funny murder mystery is more
action-packed than the average Bugs Bunny-Road Runner
hour, and features cartoon physics which is about as
credible. A comical crime thriller where you’re likely
to find yourself laughing too hard to solve the
whodunit.
Al Pacino should let a bomb-sniffing dog check out
his scripts in the future.
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DISHONORABLE MENTION:
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Bangkok Dangerous
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Cover |
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Funny Games
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Gran Torino
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Hancock |
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Hounddog |
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Lakeview Terrace |
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Nora’s Hair Salon 2 |
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Role Models
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Step Brothers |
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Three Can Play That Game |
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Untraceable |
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You Don't Mess with the Zohan |
Related Links
The African-American Film Critics Association’s Top Ten Films
of 2008
http://reviews.aalbc.com/black_film_critics_picks_2008.htm
Blacktrospective 2008 - Kam Willaims’ Annual Assessment of
the Best (and Worst) in Black Cinema
http://reviews.aalbc.com/blacktrospective_2008.htm Blacktrospective 2007
- Annual Assessment of the Best (and Worst) in Black Cinema
http://reviews.aalbc.com/blacktrospective_2007.htm Blacktrospective 2006
- Annual Assessment of the Best (and Worst) in Black Cinema
http://reviews.aalbc.com/blacktrospective_2006.htm Blacktrospective 2005
- Annual Assessment of the Best (and Worst) in Black Cinema
http://reviews.aalbc.com/blacktrospective_20051.htm
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