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THE BEST MAN Universal Pictures
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Featuring |
This is the film's one aggravating contrivance. Harper did not see any harm in airing his personal dirty laundry in the book because it was scheduled to be released after the big reunion at the wedding and hence wouldn't have to face everyone about it--or endanger Lance and Mia's impending nuptials. In the latter respect, it's understandable why he would not want his friends did not see the book until its release, but even once the two are wed, they and the others would eventually get upset with him anyway. And Harper is presented as someone who values friendship, not to mention a great writer; he is mentioned to be set for an appearance on OPRAH for his book. With the plot of his book so closely mirroring his real-life past, Harper doesn't appear to be that imaginative an author.
But one doesn't dwell on the issue since Lee's own writing and execution is energetic and entertaining. THE BEST MAN may be named for one character, but this is an ensemble film in the best sense, with all the characters each given their moments to shine and doing so brilliantly. In fact, Harper is perhaps the least interesting of the bunch; far more amusing are the smooth, smug womanizer Quentin and the shrewish Shelby, both played to perfection by Howard and DeSousa. This is not to say that the two most central players, Diggs and Long, fail to hold their own; blessed with talent and chemistry to match their good looks, they make for very captivating and likable leads.
As many times as I laughed during THE BEST MAN, what I remember most clearly are the sweet and more serious moments. While the scandal of Harper's book is the engine of the film, its heart lies in love and fidelity--not just to lovers, but also to friends. The resolution to one of the plot threads may be a disappointment to some audiences, but it ends on the right note, and Lee must be commended for not going for the cheaply crowd-pleasing twist. In any event, any dissatisfaction is completely erased by the closing dance number--a perfect delight of a capper to a perfectly delightful film.
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