Film critic Elvis
Mitchell and director Timothy Greenfield-Sanders have
collaborated on another series of fascinating interviews with a
mix of African-American artists, activists, academics and
athletes. Many are instantly-recognizable icons who need no
introduction, such as
Tyler Perry,
Laurence Fishburne,
Melvin Van Peebles,
Bishop T.D. Jakes and Angela Davis.
Others are a
little less known, like Massachusetts Governor Deval Patrick,
comedienne Maya Rudolph, country singer Charlie Pride, gangsta’
rapper RZA, painter Kara Walker, clothes designer Patrick
Robinson and Oscar-nominated scriptwriter Suzanne De Passe And
then there are those who have met with success away from the
limelight, including Episcopal Bishop Barbara C. Harris,
community organizer Mahora Carter and Dean of Meharry School of
Medicine Dr. Valerie Montgomery-Rice.
What all 15 share,
nonetheless, is the toll exacted on their psyches and souls by
being black in America, something they weigh-in on honestly,
each from a unique point of view. Walker talks about how weird
it felt to be criticized by a college professor for painting a
still life instead of a subject reflecting the black experience.
Bishop Jakes
observes that “Our faith has been both a blessing and a curse,
because we were taught to hope for heaven while we live in Hell
on Earth.” Van Peebles speaks about cultivating his cornucopia
of talents in the absence of any formal training, likening
himself to the bumblebee which defies aeronautical explanation
and “flies anyway.”
Maya Rudolph
admits to having struggled with her identity, being a mixture of
white, black and Jewish, yet looking like none of the above. “I
always felt like an impostor,” she says of the pressure of her
formative years, since it “cuts very deeply when you’re trying
to figure out what about you is great.”
Majora Carter
reflects on being raised in the slums of the South Bronx, where
she grew up depressed about her brother’s murdered yet curiously
unafraid of her dangerous surroundings.
Although unseen
and unheard, celeb interviewer Elvis Mitchell must be again
commended for eliciting such an array of frank and novel
insights from this impressive assemblage of prominent
African-American luminaries.